Opening Thursday 21 July at 7 pm

The CCA ESPAI is pleased to present the new exhibition of the Majorcan artist Amador Coll Verger (Palma, 1958), "Personal Identity", which presents his lastest works.

Within the framework of "New Presence" sponsored by the Consell de Mallorca CCA-Espai will present the exhibition of the art collective "The tared" composed by Marta Soler and Mariaema Fuertes.

Opening reception: Thursday 31st March at 7 pm

These photos were taken in the summers of 2008 until 2010 in the streets of New York. The title of this exibition "Changeable Frame" not only refers to the presentation of the photos but to the continuos change of the StreetArt here photographed. The different elements, partly torn posters, masonry, sticker and graffity form a steadily self changing collage.

Opening reception Thursday 21st at 7 p.m.

The CCA ESPAI is pleased to present the new exhibition by Mallorquin artist Oscar Florit (1977) who is also emerging on the national art scene. Florit paints, shapes, draws and experiments with video installations. He composes, decomposes, plays, invents and reinvents. His explosion of colour, gestures and paint strokes go beyond the canvas and force the viewer to enter the imaginary world of the artist.

Leaving the Outcome to Chance.

The exhibition presents a selection of Alfred Lichter's (93) most recent paintings, a series he calls Letters to Godot. 'Godot' is his synonym for God, and his use of the term 'letters' indicates that Lichter intends to approach the Divine. The paintings come into existence through a process Lichter calls 'pourings', allowing the colours to distribute themselves over the canvas without control or interference. After subsequent washes, the colours cover the entire surface, sometimes transparent, sometimes opaque, depending on their consistency. Lichter leaves the outcome to chance, granting it, as the one entity truly independent of human influence, the decisive creative momentum. He permits himself only minor touch-ups where contrasts seem too harsh, and smoother transitions appear more suitable. The paintings resist any representationalist association. They are a hommage to the autonomy of colour. Their unbounded spectrum ranges from the black of night, the azure blue of Mediterranean horizons, to the glowing red of volcanic eruptions. In the context of his "letters", Lichter talks about "pure art", free of its "representationalist chains", coming to rest in the "spiritual". The past decade of Lichter's work has been dedicated to an ardent pursuit: "To keep open the door to the spiritual life".